About 194 minutes
The Story of Milk — Story, Setting & Ideas
Gardening
44,461 recorded words. 2 minutes difference from this book's estimate.
View Gutenberg source #66061Before opening The Corning Egg Farm book, by Corning himself — A Closer Reading, the edition data offers a quick orientation: 44,001 words, 3 hr 12 min estimated reading time, and 39 detected text sections.
The text analysis averages about 28.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Poultry,” connecting these edition facts with the source record’s subject description.
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About 194 minutes
Gardening
44,461 recorded words. 2 minutes difference from this book's estimate.
View Gutenberg source #66061About 194 minutes
Gardening
44,415 recorded words. 2 minutes difference from this book's estimate.
View Gutenberg source #74814About 187 minutes
Gardening
42,964 recorded words. 5 minutes difference from this book's estimate.
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Public-domain source text
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The Corning Egg Farm Book opens with a boast: it is "the complete and authentic story" of a farm that claims to be "the most famous poultry farm in the world." Published in 1912 by the farm itself, the book is part technical manual, part advertisement. The authors, Edward Corning and his son Gardner, describe their operation in minute detail—from the dimensions of the incubator cellar (146 feet by 22 feet) to the exact temperature maintained (103 degrees). Yet the catalog subjects—Poultry and Eggs—only hint at the book's real content: a systematic argument for large-scale, scientifically managed egg production.
The book's most striking feature is its obsession with infrastructure. The authors devote entire chapters to the construction of concrete-block cellars, the design of draught-proof windows, and the layout of brooder houses. They specify that floor joists must be "planed and painted white" and that incubator trays must be "absolutely interchangeable." This is not a general guide to poultry keeping; it is a blueprint for a single, highly engineered farm. The Corning method treats the farm as a factory, where every component—from the "Spring Roller Shade device" to the "hot water pipes passing through this concrete wall"—is optimized for efficiency.
Throughout the excerpts, the Cornings support their methods with specific figures. They started with "60 Buff Rock Eggs" and later adopted White Leghorns. They claim pullets lay "in 129 days" and that their incubators hold "about sixteen thousand eggs." They report receiving "90,000 orders for 40,000 eggs." These numbers serve a dual purpose: they demonstrate the farm's scale and imply that the Corning system is reproducible. However, the excerpts provide no independent verification, and the book's promotional tone—"Unequaled," "most famous"—suggests that some claims may be aspirational.
One of the most unexpected chapters is titled "Policing the Farm with Bloodhounds, etc." The authors advocate shooting first and investigating afterward, and they name their bloodhound "Socrates." This detail, along with the precise instructions for turning eggs ("from third to eighteenth day") and the insistence on "pure water" (eggs are "80% water"), reveals a farm that combines scientific rigor with a rough-and-ready approach to security. The book's voice shifts between technical precision and promotional bravado, making it a curious hybrid of manual and memoir.
Readers should approach The Corning Egg Farm Book as a primary source on early twentieth-century industrial agriculture, not as a neutral guide. Its value lies in the specificity of its descriptions—the concrete blocks, the glass doors, the 103-degree incubators—and in what it reveals about the ambitions of its authors. The catalog subjects (Poultry; Eggs) are accurate but incomplete; the book is as much about marketing and self-promotion as it is about farming.
That rain-soaked afternoon, I kept returning to Corning’s patient diagrams of roosting closets, the quiet arithmetic of so many hens. His care for his Leghorns felt almost like fondness. Later, paging through Old Sports and Sportsmen; or, the Willey Country with sketches of Squire Forester and his whipper-in Tom Moody — Reading Notes, I found that same unguarded warmth for beasts and bounds. Two aged books, sharing a gentle pulse.
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